Annihilation: Film Review

Alex Garland continues to be one to the more interesting directors out there.  The fact that he seems to focus on the sci-fi genre makes it all the better for me.  While only his third directing position after Dredd, and Ex Machina, his screenplays for 28 Days Later, Sunshine, Never Let Me Go, and The Beach were also worthy mentions to his resume.

Annihilation is likely the most difficult of these to get through.  At points quiet and deliberately paced, it won't find interest among Snapchat aficionados.  This was recognized by Paramount and producer David Ellison who both wanted to change significant portions of the film in order to market it better to gain more commercial success.  Luckily Garland got his way and the film remained unaltered.  This has doomed the film to financial losses however as it appears to be headed for replacement in theaters in short order.  In fact, in markets other than the US, the film is headed straight for Netflix.

So what are most modern viewers missing?  A creepy, bloody, sometimes violent two hours of relatively unexplained weirdness.  Diverging heavily from the Jeff VanderMeer's trilogy, the film contains a complete beginning, middle and end and leaves nothing hanging for sequels.  In fact, beyond just a very basic scaffolding, the film contains little plot or events that are recognizable to the reader.  Ignore any mention of white-washing in the film...I've read the novels and attributing Asian or any other racial identities to the characters is virtually nonexistent and the fact that Garland used Portman as the lead shouldn't bother anyone except the SJW class of dimwits.

In the end our own film experiences are often derived from the histories we bring with ourselves to the theater.  For me, it boils down to a parable about a couple's attempt at recovery from infidelity seen through the prism of a sci-fi quest to discern the reasons behind an alien "shimmer" that spreads from a single point and mutates all it touches.  What comes out the other side are a husband and a wife completely different, down to their very genetic material than what they were before--the film seeming to say that through the prism of infidelity, all that you thought, were and did in the past is to meet a state of tabula rasa in order to function on the other side.

Along the way people are turned to plants, men are cut open and seen to contain giant worms on their insides, albino alligator-shark hybrids hunt the all female scientific team, a bear-something creature howls in a human voice before tearing apart one team member who has gone insane, and a near mirror finish alien-humanoid performs a mimicry dance in imitating Portman's every gesture.

I have a few quibbles...Like if the military was sending in a team to explore this anomaly, could they possibly have equipped this team worse?  No helmets?  No body armor?  And their overall gear looks more like they are out for a girl scout camping trip than a serious expedition.  Additionally...there isn't a single one of the female characters who looks comfortable with a gun...they all look like their skin might be allergic to the feel of metal on their skin and are stiff in their mannerisms in holding the weapons...someone needs some better training to at least LOOK like they know what they are doing...

I enjoyed it far better than the books from which the film came from as it does contain a resolution of its original questions and Garland's artistic voice is stronger and clearer than VanderMeer's who created an thrilling but ultimately empty world.  It took Garland to fill it with a reason to be.

Book Review: Annihilation

Annihilation by Jeff Vandermeer is the first of three novels that make up the Southern Reach trilogy.  I have only read this initial volume and so I don't yet know if the series comes to a satisfactory resolution or if it trails off into boring drivel.

I do know that this first work is an excellent piece of "weird fiction".  There is certainly a Lovecraftian feel to the entire novel both in its use of language, style and content, though its differences are more than significant enough to stand on its own.

The story surrounds an ill fated expedition that is following in the footsteps of previous ill fated expeditions to an location dubbed "Area X".  The first person speaker relaying the novel is the biologist assigned to this four woman expedition and she recounts her travels around this Area X and all the strange things we encounter.  There are dolphins with human eyes, large lizard creatures waiting in the weeds, nefarious team members, microscopic parasites, strange lighthouse keepers, indescribably beautiful/horrifying/powerful creatures from seemingly another world, etc.  No real explanation to many of these observations is given leaving the reader with the disquiet feeling that they only have a small insight into what is going on.

The locale of the tale is within a Southern "transition-land" between the swamps, grasses, forest and dunes bordering the ocean.  The author's favorite Southern hikes taking place in the St. Marks National Wildlife reserve in Florida is the inspiration for much of the book's geography and gives the tale a great feeling of "being there" as the voice coming out of the novel has a great tone of authenticity.  There is a bit of lengthy Lovecraft-like wordiness to the work which sometimes gets in the way of the story as you can be lulled into lethargy by paragraph length sentences at times, though luckily these are relatively rare.

I'm very interested in seeing where the groundwork put down in this work leads in the next two and hope the author didn't use up all his great ideas, mythmaking and mood creation on this one novel as he's certainly composed a world worth exploring further.  I'll label it as my favorite fiction work of '14.